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thenewinquiry:

Solitude is a problem for writers generally, who spend so much time alone rehearsing a form of ideal communication. And men —as a practical matter — are often worse at being alone than women. But for male writers, however often an appearance of self-sufficiency can be stripped away to reveal a hidden structure of support, there is a writerly tradition of solitude that has existed at least since Romanticism: Rousseau’s “my habits are those of solitude and not of men,” or Shelley’s “Alastor; or, the Spirit of Solitude.” A man who chooses to be alone assumes the glamour of his forebears. A woman’s aloneness makes us suspicious: Even today it carries connotations of reluctance and abandonment, on the one hand, and selfishness and disobedience, on the other.
- “The Lonely Ones” by Emily Cooke

thenewinquiry:

Solitude is a problem for writers generally, who spend so much time alone rehearsing a form of ideal communication. And men —as a practical matter — are often worse at being alone than women. But for male writers, however often an appearance of self-sufficiency can be stripped away to reveal a hidden structure of support, there is a writerly tradition of solitude that has existed at least since Romanticism: Rousseau’s “my habits are those of solitude and not of men,” or Shelley’s “Alastor; or, the Spirit of Solitude.” A man who chooses to be alone assumes the glamour of his forebears. A woman’s aloneness makes us suspicious: Even today it carries connotations of reluctance and abandonment, on the one hand, and selfishness and disobedience, on the other.

- “The Lonely Ones” by Emily Cooke

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  1. Opening With a Dream
  2. Opening With an Alarm Clock Buzzing
  3. Being Unintentionally Funny
  4. Too Little Dialogue
  5. Opening with Dialogue

More explanation for each item at 5 Wrong Ways to Start a Story.

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As much as storytellers lead us away into fantasy, our brains are looking for what is real, what can be relied on. Of course, in story tradition, a story element is often a metaphor for truth, so it is hardly surprising that even when faced with make believe, we still look for truth. It is almost as if we know that the story has something to give us – some gift, or even healing. Many therapists deliberately use stories to heal, to awaken insight.

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It will get better, and likely quite rapidly, but what will be left after our whittling is an authoring environment that will be very, very different from what we have known before. We’ll still have plain textual narratives and film, because that’s what we can most easily draft and understand. But we will have very many other things besides, and they are becoming increasingly easy to imagine. In an email exchange discussing the attractiveness of full-featured tablets over dedicated ereaders, Ron Martinez of Aerbook noted, “Much has been written about publishing’s “soft landing” in transitioning to digital format. Text-based product made that possible. But it may turn out to have been a soft “landing on Normandy.” For trade publishers particularly, Omaha Beach is not about learning how to publish digitally — it’s about becoming software houses that support publishing functions. That’s a steep organizational cliff to climb.

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First, Amazon will continue to grow as a retail channel, while bricks-and-mortar booksellers (including the bookselling chains like Barnes and Noble) will find themselves squeezed further and further, leading to more bookstore closures and downsizing on the part of the chains. In many ways, the bankruptcy of Borders in 2011 marked the end of an era, in the sense that the age dominated by the big retail chains, rolling out their superstores across America, is now over. We’re entering a new era when those retail chains that remain are in a much weaker position and where Amazon has become the main retail force to be reckoned with.

Second, publishers with weak balance sheets and companies that are highly leveraged will face growing financial difficulties, the pressures on medium-sized publishers will intensify and some of the large conglomerates will probably decide that the time has come to divest themselves of their trade publishing interests, which were always a very small part of their overall business anyway, leading to further consolidation in the hands of a small number of large corporations that remain committed to trade publishing and continue to see it as a worthwhile part of their portfolio.

Third, the decline of retail space in bookstores - the shop windows, front-of-store display tables and rows of bookshelves - and the decline of book review space in traditional print media like The New York Timeswill make it harder for publishers to get their books noticed, so the struggle for visibility will both intensify and become displaced, as publishers are forced to devote more and more of their marketing effort to the online environment, where they will hope to find new ways of bringing their books to the attention of readers.

Fourth, the shift from print to digital will continue, though the speed and extent of the shift will vary from one type of book to another and one author to another, and income from e-books and other forms of electronic sale will become an increasingly significant part of publishers’ revenues, though exactly how significant is, at this point in time, unknown - maybe 20 percent, maybe 30, maybe 50, maybe more, no one knows.

Fifth, as more sales shift to digital and the sales of physical books decline, the large publishing houses will face growing downward pressure on their revenues, calling into question their ability to generate year-on-year growth and refocusing their attention more and more on the reduction of costs and overheads in an attempt to maintain or improve their profitability.

Sixth, the infrastructure supporting the traditional book supply chain - warehouses, sales forces, etc. - will come under increasing pressure, forcing publishers to scale back their operations and look for new ways to keep the physical supply chain going while at the same time trying to shift their organizations to a new way of doing business.

Seventh, small publishing operations and innovative start-ups will proliferate, as the costs and complexities associated with the book supply chain diminish, and threats of disintermediation will abound, as both traditional and new players avail themselves of new technologies and the opportunities opened up by them to try to eat the lunch of their erstwhile collaborators.

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The story has now become a world unto its own that allows the reader to explore whichever dimensions are of the greatest interest. Follow the events from the perspective of Iron Man or Thor. Or just peruse the core series and ignore the supplementary story elements. The series presents a nearly unbounded narrative universe for the reader to experience.

It is easy to interpret this with a cynical eye as nothing more than a series of cheap marketing tactics designed to pump sales. And yet, when well executed, something larger emerges.

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thetinhouse:

Adam Wilson (Flatscreen): I put my screen resolution at 135%. And I eat a lot of nuts. I feel like nuts are good for writers.

Blake Butler (Nothing: A Portrait of Insomnia, Editor of HTML Giant): Almost every day I begin the exact same way: I wake, shower, get in my car, drive 20…

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"2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material."

6 tips on writing from John Steinbeck (via explore-blog)

(Source: , via explore-blog)

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"A writer has the duty to be good, not lousy; true, not false; lively, not dull; accurate, not full of error. He should tend to lift people up, not lower them down."

E. B. White on the social responsibility of the writer, a worthy aspiration to remember and live up to in today’s media climate increasingly plagued by negativism, sensationalism, and journalistic laziness. (via explore-blog)

(Source: , via explore-blog)